For this second project, I constructed
three panels out of cardboard and newspaper, with stick supports to
secure them in the dumpster. I left the shape of the newspaper
intact and stained it with coffee to create the illusion of soiled
newsprint emerging somewhat organically from the trash. In choosing
the form, I opted for a less defined and more figurative image,
hoping to draw attention to the image as art
and not its actual content. In contrast to the first
project, I tried to make this project more site-specific on multiple
levels. Rather than using paint, I pared the materials down to mostly
trash with minimal use of chalk and charcoal. Additionally, the
project is site-specific in a more obvious sense, with the figure
literally resting on the heaped trash bags. The dumpster proved a far
better site than the original trash can in that the wide expanse of
trash creates a sort of landscape for the figure. The full dumpster
also offers a literal juxtaposition of art and trash, playing on the
ambiguities between them, something I was not able to achieve with
the emptier trash can in Project 1. I was limited in terms of picking
a dumpster with relevant surrounding structures due the fact that
many of Albuquerque's dumpsters are enclosed, locked or not open to
public dumping. I eventually settled with one on campus, behind
Castetter and, interestingly enough, adjacent to the Daily Lobo building.
This was a great development on your original project. And I think its great that you started paying so much attention to the patterns of trash pickup. This version seems more visible to the people picking up the garbage rather than someone throwing something away. The next question is who do you want these projects to speak to?
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